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So it's been nearly a month since we moved to Minnesota, and I'm just now writing a journal about it. But really, man, it's been very busy. There's been so much disconcerting you're-on-your-own-in-adulthood stuff to take care of, like setting up internet service, establishing residency, arranging garbage service, new bank accounts, multiple repairs on the truck, and the bills for all these things. And we haven't yet finished unpacking and organizing the house. And the laundry! And the cooking! And the squirrel that keeps somehow getting into the hall closet at night and then disappearing a moment after we open the door armed with gloves and a broom!
But there is more freedom then ever before for eightcrows and me for receiving, discussing, and emoting over stories. And these stories lately...
We got every single issue of Batman from Jason Todd's post-crisis introduction through Death in the Family. All but one had arrived, and we were waiting, when the last one was hand-delivered by a member of the Green Lantern Corps. For real; this is actually what happened.
I think this is the most devastating thing I have ever read. It is so powerful, and so well-done, and I never guessed that it would... I talked about how the Young Justice cartoon showed forth the Real: what Goodness does and what is done to it in this fallen world. This does even more clearly, perhaps because of historical hindsight. I never guessed that the death of Jason Todd, a bloody tragedy driven by an unrestrained madman, with anonymous masses of people guilty by complicity out-of-universe, would be so connected, in-universe, to the major bloody tragedy of our age driven by unrestrained lust and greed and madness, with anonymous masses of people guilty by participation, complicity, and inaction. I'm talking about abortion.
Yes, it's in there. Read it, and see how well-handled all the horrors of our time are, and tell me if you can why on this earth anyone hated Jason, because I can see no reason whatsoever. No, do not tell me, I do not want to hear from these people. At Space City Con, I had a great time hanging out with crazy Homestucks, meeting Sylvester McCoy, etc. But one thing I deeply regret. At a booth we were looking for issues with Jason, and the seller noticed and felt the need to express disdainful incredulity at our wanting to read about him (sure, great selling tactic there, insult your potential customers' taste!) and proudly boasted he had voted for his murder. I do not wish I had said a stinging rejoinder, because I can never do those right. I just wish I had turned my back and walked away at once. Instead of politely hmming and withdrawing after a little while. I feel the same painful regret at politely applauding the Northern Irish Minister of Education as we had applauded all the politicians who agreed to address our study abroad group, after she had included in her description of goals government-sponsored abortion. (And just what the Hell does that have to do with education?)
Anyway, Jason Todd is an incredible character and now my favorite Robin. (And with how much I love Dick Grayson, this is a big statement.) I am also glad our Death in the Family compilation book included Tim Drake's introduction; it was the best I've ever seen that character at. In Young Justice he's okay, sometimes a bit obnoxious; in the Animated Series HE'S NOT REALLY TIM AT ALL HE'S JASON, and in the Teen Titans comics I've read for the sake of more Jaime he's just plain awful. How could the kid who so selflessly understood what the death of his predecessor meant, go so wrong about such things later and become such a tool? Different writers, I guess is the trouble. That's the thing about DC. So much truly great and True stuff, so much crap as well, so you gotta use your judgement what to accept.
Without this necessarily indicating anything about the content, *cough* I am more motivated for Decadence than ever before. I'm writing Masque, which is the first one I'll be drawing and posting, now. And as aforesaid, the goal for posting the first chapter is: August 25th. I have the first chapter all written so even if I haven't finished writing the story by then I can still have drawn it. (Though I hope I can finish the writing first.)
We are also watching Digimon Adventure. I hadn't watched it in thirteen years, since it aired. And back then, there were many episodes I never saw, so it's almost like a whole new thing! Loving these characters even more now... and the hugs, Meenah! The hugs!
With both these things, it's the Love between characters that makes things so powerful. And I see many people, on tumblr for example, who take the attitude: if you really love a Love between characters, you will envision it as all forms of love, including (and this one seems to be their main interest) erotic. To that I say, HELL NO. If you love a Love between characters, you love what it IS; you don't try to make it something it's NOT. These things are special because they're unique, and they can't be unique if they're whatever you want to fantasize rather than WHAT THEY ARE.
What they are is heartbreakingly beautiful and true. Do not do violence to that, or you do violence to the characters. And those who are guilty of violence toward the innocent will answer for it someday.
So it's been nearly a month since we moved to Minnesota, and I'm just now writing a journal about it. But really, man, it's been very busy. There's been so much disconcerting you're-on-your-own-in-adulthood stuff to take care of, like setting up internet service, establishing residency, arranging garbage service, new bank accounts, multiple repairs on the truck, and the bills for all these things. And we haven't yet finished unpacking and organizing the house. And the laundry! And the cooking! And the squirrel that keeps somehow getting into the hall closet at night and then disappearing a moment after we open the door armed with gloves and a broom!
But there is more freedom then ever before for eightcrows and me for receiving, discussing, and emoting over stories. And these stories lately...
We got every single issue of Batman from Jason Todd's post-crisis introduction through Death in the Family. All but one had arrived, and we were waiting, when the last one was hand-delivered by a member of the Green Lantern Corps. For real; this is actually what happened.
I think this is the most devastating thing I have ever read. It is so powerful, and so well-done, and I never guessed that it would... I talked about how the Young Justice cartoon showed forth the Real: what Goodness does and what is done to it in this fallen world. This does even more clearly, perhaps because of historical hindsight. I never guessed that the death of Jason Todd, a bloody tragedy driven by an unrestrained madman, with anonymous masses of people guilty by complicity out-of-universe, would be so connected, in-universe, to the major bloody tragedy of our age driven by unrestrained lust and greed and madness, with anonymous masses of people guilty by participation, complicity, and inaction. I'm talking about abortion.
Yes, it's in there. Read it, and see how well-handled all the horrors of our time are, and tell me if you can why on this earth anyone hated Jason, because I can see no reason whatsoever. No, do not tell me, I do not want to hear from these people. At Space City Con, I had a great time hanging out with crazy Homestucks, meeting Sylvester McCoy, etc. But one thing I deeply regret. At a booth we were looking for issues with Jason, and the seller noticed and felt the need to express disdainful incredulity at our wanting to read about him (sure, great selling tactic there, insult your potential customers' taste!) and proudly boasted he had voted for his murder. I do not wish I had said a stinging rejoinder, because I can never do those right. I just wish I had turned my back and walked away at once. Instead of politely hmming and withdrawing after a little while. I feel the same painful regret at politely applauding the Northern Irish Minister of Education as we had applauded all the politicians who agreed to address our study abroad group, after she had included in her description of goals government-sponsored abortion. (And just what the Hell does that have to do with education?)
Anyway, Jason Todd is an incredible character and now my favorite Robin. (And with how much I love Dick Grayson, this is a big statement.) I am also glad our Death in the Family compilation book included Tim Drake's introduction; it was the best I've ever seen that character at. In Young Justice he's okay, sometimes a bit obnoxious; in the Animated Series HE'S NOT REALLY TIM AT ALL HE'S JASON, and in the Teen Titans comics I've read for the sake of more Jaime he's just plain awful. How could the kid who so selflessly understood what the death of his predecessor meant, go so wrong about such things later and become such a tool? Different writers, I guess is the trouble. That's the thing about DC. So much truly great and True stuff, so much crap as well, so you gotta use your judgement what to accept.
Without this necessarily indicating anything about the content, *cough* I am more motivated for Decadence than ever before. I'm writing Masque, which is the first one I'll be drawing and posting, now. And as aforesaid, the goal for posting the first chapter is: August 25th. I have the first chapter all written so even if I haven't finished writing the story by then I can still have drawn it. (Though I hope I can finish the writing first.)
We are also watching Digimon Adventure. I hadn't watched it in thirteen years, since it aired. And back then, there were many episodes I never saw, so it's almost like a whole new thing! Loving these characters even more now... and the hugs, Meenah! The hugs!
With both these things, it's the Love between characters that makes things so powerful. And I see many people, on tumblr for example, who take the attitude: if you really love a Love between characters, you will envision it as all forms of love, including (and this one seems to be their main interest) erotic. To that I say, HELL NO. If you love a Love between characters, you love what it IS; you don't try to make it something it's NOT. These things are special because they're unique, and they can't be unique if they're whatever you want to fantasize rather than WHAT THEY ARE.
What they are is heartbreakingly beautiful and true. Do not do violence to that, or you do violence to the characters. And those who are guilty of violence toward the innocent will answer for it someday.
It will be mostly Lay of Leithian/Tale of Tinuviel
I just finished reading The Silmarillion for the first time and I want to draw a bushel of illustrations. The condensed form of it, as opposed to the novel form of The Lord of the Rings, really spurs one to want to fill in what isn't described in great detail with what one imagines. And I want to use a style that's very different from how people usually draw Tolkien characters. Almost everybody these days is influenced by the look of Alan Lee's work and the Peter Jackson films. Now I have no problem with that, but it's not at all what I want to do. Since The Silmarillion really surprised and delighted me with how much it wasn't just noble high fantasy, it had many parts that were very fairy tale, even whimsical, I want to go for the look of a fairy tale storybook for children; plus influence from 1980s illustrations of toys for girls, like Lady Lovelylocks and Peppermint Rose; and just a touch of 1970s psychedelic graphic design. I don't know whether Tolkien would approve, but it's
Well that explained NOTHING
I'm being hyperbolic. It did explain a few things. I'm speaking of course, of Layton Brothers: Mystery Room, which I just finished playing. For a long time, I vehemently refused to consider playing this game, and rejected it as part of the Professor Layton canon. And I developed a personal animosity towards the character of Alfendi. How dare he claim to be the Professor's child, which he couldn't possibly be? But then along came the Katrielle Layton game and anime, another character making the same claim. And as it turned out, these were absolutely wonderful, and explained in a totally satisfactory way how Katrielle is the Professor's child. So I grew willing to give Alfendi a chance. I knew, however, from basic descriptions I'd read, that Mystery Room does not explain how Alfendi could be the Professor's child. So I came at it with the specific goal of settling, based on whatever information the game did provide, on a theory. Possible theories, both acceptable and unacceptable
Where once was Walden
I have a secret sewing and lolita fashion blog, purposefully hidden. There, I've made fanciful allegories of various web platforms as buildings. Tumblr I described as a city of strip clubs and public gallows, now mostly empty since the strippers were outlawed. Livejournal is an abandoned library--not a majestic classical library, but one like the public libraries of my childhood, with office-industrial tile and carpet and glass-block wall segments--in a forest, with ivy growing into it. Instagram is a fun-house mirror-lined carousel whose round-and-round motion spirals down into a consuming vortex. So what is Deviantart? The obvious answer is an art gallery, but imagine being in an art gallery: quiet high-ceilinged rooms of well-lit paintings, carefully curated and organized. It's not like that at all. No, I think it's a shopping mall, with all that implies in our cultural context: it was once fun, full of teenagers both dippy and angsty, with arcades and subculture-based clothes
Listening to fireworks from a garret room
A year ago this night, I was working frantically on the last page of Issue #2 of Clockwork Dancer, and I finished it as 2021 rang in. Many people were adamant that 2021 must be a better year than 2020, but on a certain level it has been much worse, as genetic agents are injected, poisoning the hearts of many, and become the basis for totalitarianism. But even as things fall apart and people reveal their true colors, both years have been very good to me personally, particularly in time spent with nieces and nephews. Once again, I'm working on the last pages of Issue #2 of a comic. This time, it's Bovodar and the Bears. But I'm not likely to finish by midnight. I'm away from home on this New Year's Eve, and I don't know how long I will remain so. It's for a good reason and I'll miss it when it's over, but I don't have much time to work on art. When I do, it's an hour in the early morning, by the windows in a garret room. If and when I return home, I hope to resume a rigorous work
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